The Stained Glass Windows at Advance Masonic Temple

aAn image of Advance Masonic Temple's Stained Glass windows lit up at night, in Astoria, Queens , New York.

The stained glass windows at the front of Advance Masonic Temple form an important part of the lodge’s visual identity. More than decorative features, they reflect key themes in Masonic tradition through color, symbolism, and historic character. Together, they create a meaningful introduction to the lodge and the teachings it represents.

A Paired Symbolic Design

Positioned at the front of the temple, the two windows are designed to be understood both individually and as a pair. The window on the left depicts King Solomon, long associated with wisdom, order, and the building of the Temple. The window on the right depicts Hiram Abiff, honored in Masonic tradition as the master craftsman and a model of fidelity, skill, and moral steadfastness.

Seen together, these figures represent central ideas in Masonic symbolism: wisdom joined with labor, leadership joined with craftsmanship, and vision joined with faithful service.

An Introduction to the Individual Windows

This article offers a general overview of the two windows as a unified feature of the temple frontage. Each window also deserves closer attention for its own artistic details and symbolic meaning.

To learn more, read the full articles on: The King Solomon stained glass window The Hiram Abiff stained glass window

Light, Symbolism, and Tradition

As with much stained glass in historic and ceremonial buildings, these windows use light and imagery to communicate values that words alone do not fully express. At Advance Masonic Temple, they stand as enduring reminders of the principles, stories, and traditions that continue to shape the life of the lodge.

Explore more from the entrance of Advance Masonic Temple:

Back To — The Entrance of Advance Masonic Temple

Stained Glass Window — King Solomon

Stained Glass Window — Hiram Abiff in color and light

Advance Masonic Temple — The Full Story


Brete Murphy

Freemason, Historian, Versed in Essoteric Studies 

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The Stained Glass of King Solomon

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The Skull Above the Door